Friday, February 20, 2009

#9 - Moments in Black History

Moments in Black History – The Jheri Curl

 

Spring, 1980:

Stained shirt collars, ruined furniture, drip drops of oil, clear plastic caps, Super Freak.


None of these items would exist had it not been for one man: Jheri "Curly" Brooks of Cleveland, Ohio, who stumbled into global notoriety by creating the famous and glorious Jheri Curl.


The Jheri Curl created a national phenomenon sweeping through the African American culture. Black people all over the country seized bottles of Mr. Brook’s hair concoction. Even major black celebrities sported the look, from Billy Dee Williams to Tito Jackson to Lisa Lisa & Cult Jam. The style was a sign of the times and a part of life. People looked good and felt good wearing it.


"Mutha f*cka is juicy like a mutha f*cka," said Terrell Green of Detroit, referring to his luscious locks beneath a homemade plastic cap trimmed with an elastic band. "Sh*t, this mutha f*cka makes a mutha f*cka a mutha f*cka!"


Jheri "Curly" Brooks stumbled upon fame and glory in the early 80's when a freak breakdancing accident turned into a cultural explosion.


"I was breakin' in a parking lot against another set and doing some iced out moves. Body-blockin' and hip lockin'. We didn't have no boom boxes so we parked our rides up close and threw down some mix tapes on the stereo. Well, my boy, Vernon's Cadillac was leaking oil all over the place. Mutha f*cka hadn't thought about fixin' that sh*t. A damn good thing considering. Anyway, I ended up doing a head stand and spinning all up in that oil sh*t, gettin' it all over my head and clothes."


The spin, coupled with a magnificent robotic move, helped Brooks straight up serve the opposing set that night, but the true highlight came the next morning in the form of deliciously wet, wavy, curly locks.


"Damn, mutha f*cka, is you cold, or is you cold, fool," asked Brook's older brother, Wesley, seeing him emerge from his bedroom the next morning. Brooks had no idea what his brother meant, having fallen asleep in his clothes the night before, following the heavily contested battle. He last remembered opening a new pair of Zip sneakers and falling asleep next to his desk lamp. Apparently, Brooks fell asleep with his afro tangled in the plastic Zip bag. Overnight, the bag amazingly absorbed the Cadillac oils, taming hair follicles; while the intensity of the lamp nurtured his scalp. The combination of chemicals and intense care transformed Brooks' afro into wavy locks and curls. "Damn, you is cold! Ice cold!"


Throughout the day, Brooks heard the comment time and time again as he walked his neighborhood showing off his new hairdo. All eyes were on him. "Hook me up, sucka," strangers pleaded; and, soon, he began treating the scalps of family, friends, and strangers. Before long, the entire city of Cleveland had Jheri's Curl, which he called his new style.


Only months later, Brooks, in his wildest imagination, could not imagine his curls were spreading across the United States. Everyone had Jheri's Curls---black, white, male, female, young, old.  From normal everyday people to well known celebrities and professional athletes. The nation was donning his hairstyle.


"Sh*t was incredible! I went from the ghetto to a deluxe apartment in no time! I even partied with JJ Walker! Eventually I changed the name from Jheri's Curl to just plain Jheri Curl 'cause too many mutha f*ckas kept trippin' and calling it Jerry's Kids' Curls. That sh*t ain't funny. But when you make it big, people always gots to find something to make fun of - and the style was so fresh and so clean, the only thing they could trip on was the name. Didn't matter though - I still got paid.....and I'm still gettin' big bucks, no whammies presently."


Brooks has shunned opponents who insists the Jheri Curl is "too messy" and a "lazy man's hairstyle". He demands his style makes, as his clientele insist, a mutha f*cka feel like a mutha f*cka. Besides, he adds, "When's the last time you seen a pimp with corn rolls? N-E-V-A.....neva....and pimpin' ain't easy, bitch."


Whether you agree or disagree, Jheri "Curly" Brooks is a black pioneer and true American hero. His freak accident certainly unlocked a world of beauty for us all to marvel for years to come.

 

 

 

 

"I am an invisible man. No, I am not a spook like those who haunted Edgar Allen Poe; nor am I one of your Hollywood-movie extoplasms. I am a man of substance, of flesh and bone, fiber and liquids -- and I might even be said to possess a mind. I am invisible; understand, simply because people refuse to see me. Like the bodiless heads you see sometimes in circus sideshows, it is as though I have been surrounded by mirrors of hard, distorting glass. When they approach me they see only my surroundings, themselves, or figments of their imagination -- indeed, everything and anything except me."                       Ralph Ellison

 

Thursday, February 19, 2009

#10 - Moments in Black History

Moments in Black History – Psycho


February 1960: 


In lower eastside Manhattan, four a theater ushers, a concession worker, and several patrons were verbally and physically thrashed when a complaint was delivered to a heavy set black woman during an evening screening of Alfred Hitchcock's thriller, Psycho. 


Reports indicate the individual, Ruth Walker, apparently became upset when a nervous theater usher asked her to keep quiet or leave the auditorium, following several anonymous complaints from white patrons. The usher made a mistake by threatening not to refund Walker's money for both admission and concession goods. An unknown white male stated Ms. Walker removed her house shoes and ear rings before she "went off" on the theater employee. He also stated she simply uttered "Ahh hell nah..." before flooring each employee confronting her and verbally chastising several interfering movie goers. 


The incident began during the film when Walker screamed at the screen "Bitch, get yo white ass outta that shower! I know you be seein' that crazy ass mutha f*cka's shadow with the knife! Run, bitch, run! I know you can outrun that fool! Run!" Throughout the presentation, Walker hurled comments at the screen as if talking to the characters themselves, warning of trouble and/or giving various pieces of advice. The outbursts were disturbing to theater patrons attempting to enjoy the presentation then climaxed when Ms. Walker began directly talking to both the screen and patrons. When she grabbed the individual in front of her, Bob Johnson, and said "you white people is crazy", theater ushers were notified. 


All employees were treated and released from a local hospital and psychologists. 


Ruth Walker, however, finished watching the movie, afterwards commenting that Norman was straight up trippin'. 


This is a Moment in Black History.




"You can kill a man but you can't kill an idea." 

Medgar Evers

Thursday, September 25, 2008

More Bloggin' Please

I know, I know...I need to get off my butt and blog more.  My apologies.  To everyone who keeps saying "when are you gonna blog", "what gives, dude", or "hello...it's called a blog", I get it.  I will do better.  

Geez...

Tuesday, August 26, 2008

Hammer, don't hurt him...

Perhaps the greatest commercial of all time.


Stop It. Please.

Are some people getting paid for forwarding email?  
Enough of these emails.  Please.


THIS  IS WHAT SORRY LOOKS LIKE




This  is what tired looks like



This  is what bad spelling looks  like





This  is what intimacy looks like





This  is what courage looks like







This  is what 'good grief!!' looks  like







This  is what your tax dollars look  like


This  is what 'I can wait' looks  like




This  is what a blonde's car looks  like 



This  is what cool looks like  



This  is what a helping hand looks  like 



This  is what cold looks like 




This  is what an angel looks like 



 



This  is what a bad mood looks like 




It  doesn't matter how many people you send this to,  just remember if it made you smile, your friends  will smile  too!

Saturday, August 23, 2008

Every now and then, a person does something on television that mystifies us.  Something so incredible or unbelievable that the appearance leaves us either speechless or scratching your head for answers.  

The only answer I want following television moment: 
How the hell did a Waco station hire Brian "Boom Goes the Dynamite" Collins?

Friday, August 15, 2008

Word of Advice

Dear Broken Down Family on Corner:

For greater results, schedule break downs on various intersections AND 
note where you have set up camp to avoid panhandling in the same area 
with the same sign.

Also, I hope the nice car I saw you driving at Wal-Mart is not the 
aforementioned broke down vehicle. At that point, it worked fine but 
you needed money for medicine.

Good luck.